Villanescas espirituales de francisco guerrero biography

  • '““Y como tenemos los deste officio por muy principal obligacion componer Chanconetas, y Villancicos, en loor del sanctissimo nascimiento de.
  • Francisco Guerrero Biography by Donato Mancini.
  • Meet Francisco Guerrero, a name steeped in the rich history of Spanish Renaissance music.

    • •

    I18n Error: Missing interpolation value "artista" for "{{ artista }} Discografia & Vinis"

    Who is Francisco Guerrero? A Brief Career Overview

    Meet Francisco Guerrero, a name steeped in the rich history of Spanish Renaissance music. Known primarily as a composer and renowned for his sacred and secular works, Guerrero emerged as a prominent figure in the 16th century, dedicating his life to the nobility of choral and liturgical compositions. His profound contributions to music have not only shaped the soundscapes of cathedrals across Spain but have also echoed through the annals of vinyl storytelling, thanks to modern collectors who cherish his melodic treasures.

    Guerrero's ability to capture a kaleidoscope of emotions--from sacred devotion to lyrical joy--distinguished him from his contemporaries. His music remains a significant part of the choral repertoire, celebrating the intricate beauty of polyphony. His connection to vinyl culture is evident, as many o

    •

    Francisco Guerrero

    born: 4 October

    died: 8 November

    country: Spain

    Of the three great composers of sacred music to have emerged from Spain in the sixteenth century, Francisco Guerrero () is describedby the scholar Robert Stevenson as &#;the most purely Spanish&#;. That he is also the least internationally famous is no coincidence: both of the other two, Crist&#;bal de Morales (c) and Tom&#;s Luis de Victoria (), spent considerably more time outside their homeland than Guerrero, in particular in Rome, and in consequence came to the attention of a broader clientele. Their contemporary fame was certainly boosted bygd the more developed state of the music-printing industry in Italy as compared with Spain at that time: Guerrero in fact found it expedient to travel to Italy more than once in order to have his works printed. Alongside variations in such stylistic matters as dissonance treatment and scoring, Guerrero&#;s choice of motet subjects differed from those of composers based

    •

    musica Dei donum





    CD reviews






    Francisco GUERRERO ( - ): "Magnificat, Lamentations & Canciones"

    El Le�n de Oro
    Dir: Marco Antonio Garc�a dem Paza, Peter Phillipsb
    rec: Oct 25 - 27, , Salas (Asturias), Real Monasterio de San Salvador de Cornellana (church)
    Hyperion - CDA (� ) (60'53")
    Liner-notes: E/D/ES; lyrics - translations: E/ES
    Cover, track-list & booklet

    Antes que com�is a Dios � 4a [5]; Ave virgo sanctissima a 5b [2]; Beatus Achacius oravit a 5b [1]; Hei mihi, Domine a 6b [3]; Incipit lamentatio Jeremiae prophetae a b; Laudate Dominum dem caelis a 8b [7]; Los reyes siguen la 'strella � 4a [5]; Magnificat 4. toni a b; Mi ofensa's grande � 5a [5]; Regina caeli a 8b [4]; Sancta et immaculata a 4b [6]; Sanct�ssima Mar�a � 4a [5]; Si tus penas no pruevo � 3a [5]

    Sources: [1] Sacrae cantiones, vulgo moteta nuncupata, ; [2] Liber primus missarum, ; [3] Missarum liber secundus, ; [4] Liber vesperarum, ; [5] Canciones y
  • villanescas espirituales de francisco guerrero biography