Poemas de stephane mallarme biography
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Stéphane Mallarmé
Selected Poems
With illustrations by Odilon Redon (France, 1840 - 1916)
Translated by A. S. Kline © Copyright 2004-2009 All Rights Reserved
This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any non-commercial purpose. Conditions and Exceptions apply.
Contents
About this Work
These translations of Mallarmé’s major poetry reflect his position as a leading Symbolist poet of the nineteenth century. His use of complex syntax, and subtle turns of phrase, often makes his verse seem more abstruse than its content indicates, revealing as it does a relatively narrow though sophisticated world, predominantly literary and philosophical in nature. Part of the charm of his poetry is his ability to create a rich and detailed edifice from the simplest of ideas, objects, or occasions. Philosophically he is associated with ideas of absence and emptiness, but also of a quasi-Platonic realm of forms inherent in that
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Trois poèmes de Mallarmé
Song cycle bygd Maurice Ravel
Trois poèmes de Mallarmé is a sequence of three art songs by Maurice Ravel, based on poems by Stéphane Mallarmé for soprano, two flutes, two clarinets, piano, and string quartet. Composed in 1913, it was premiered on 14 January 1914, performed by Rose Féart and conducted by D.-E. Inghelbrecht, at the inaugural concert of the société musicale indépendante of the 1913–1914 season in the Salle Érard in Paris.
The work bears the reference M. 64, in the catalogue of works of the composer established by musicologistMarcel Marnat.
History
[edit]Maurice Ravel had a predilection for the poetry of Mallarmé. In an interview with the New York Times in the late 1920s, he said:
I consider Mallarmé not only as the greatest French poet, but also as the "only" one, since he has made the French language poetic, which was not intended for poetry. The others, including the exquisite singer Verlaine, have dealt with the rules and lim
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Poems
September 14, 2022POESIA
Édouard Manet: Ritratto di Mallarmé, 1876.
Io fuggo e mi attacco a tutte le vetrate
Dove si volge il dorso varenda vita e al destino,
E nel vetro, lavato dall'eterne rugiade,
Che l'Infinito indora col suo casto mattino,
Mi contemplo e mi vedo angelo! e muoio, e torno
- Che il cristallo sia l'arte o la mistica ebbrezza -
A nascer, col mio sogno diadema al capo intorno,
Dove, in cieli anteriori, fiorisce la Bellezza!
François Nardi: Ritratto di Stéphane Mallarmè.
Je fuis et je m’accroche à toutes fransk artikel croisées
D’où l’on tourne le dos à la vie, et, béni,
Dans leur verre, lavé d’éternelles rosées,
Que dore la main chaste dem l’Infini
Je me mire et me vois ange ! et je meurs, et j’aime
— Que la vitre soit l’art, soit la mysticité —
À renaître, portant mon rêve en diadème,
Au ciel antérieur où fleurit la Beauté!
“Le Finestre – Les Fenêtres”
Edvard Munch: Stéphane Mallarmé.