Maeve brennan biography

Maeve Brennan ( - ) was born in Dublin in , and spent her early childhood in a house on Cherryfield Avenue, Ranelagh, Dublin 6, before emigrating to the U.S. with her family as a teenager. She worked at both Harper’s Bazaar and the New Yorker from the s through to the s. Many of her short stories were published at these titles and she became best known to the American public under the pseudonym of ‘The Long-Winded Lady’ via her ‘Talk of the Town’ column at the New Yorker. However, Brennan could not shake off the formative influence that Ireland had on her life, and thus it became the setting of her finest works, which communicate authentic representations of the fear and anxiety that can permeate modern life.

Brennan left behind a legacy of short fiction at her death in ; The Springs of Affection: Stories of Dublin, The Rose Garden: Short Stories and the novella The Visitor. Largely unknown in Ireland until the millennium, Brennan has gradually become more recogn

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Maeve Brennan

Irish writer (–)

For the English librarian of Irish descent, Maeve Maureen Brennan, see Relationships that influenced Philip Larkin §&#;Maeve Brennan.

Maeve Brennan

Maeve Brennan (6 January &#; 1 November )^[1] was an Irishshort story writer and journalist. She moved to the United States in when her father was assigned bygd the Department of Foreign Affairs to the Irish Legation in Washington, D.C. She was an important figure in both Irish diaspora writing and in Irish literature itself. Collections of her articles, short stories, and a novella have been published.^[2]

Early life

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She was born in Dublin, one of four siblings, and grew up at 48 Cherryfield Avenue in the Dublin suburb of Ranelagh.^[3] She and her sisters were each named after ancient Irish Queens: Emer, Deirdre and Maeve. Her parents, Robert and Úna Brennan, both from County Wexford, were Republicans and were deeply involved in the Irish political and

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Maeve Brennan

“The book is notable . . . for Bourke’s first-rate descriptions and analyses of Brennan’s fiction. An impressive portrait.” —Kirkus Reviews

To be a staff writer at The New Yorker during its heyday of the s and s was to occupy one of the most coveted—and influential—seats in American culture. Witty, beautiful, and Irish–born Maeve Brennan was lured to such a position in and proceeded to dazzle everyone who met her, both in person and on the page. From to under the pseudonym &#;The Long–Winded Lady,&#; Brennan wrote matchless urban sketches of life in Times Square and the Village for the &#;Talk of the Town&#; column, and under her own name published fierce, intimate fiction—tales of childhood, marriage, exile, longing, and the unforgiving side of the Irish temper. Yet even with her elegance and brilliance, Brennan&#;s rise to genius was as extreme as her collapse: at the time of her death in , Maeve Bre